Summer reading.
Well, summer’s over. And – no surprise this – I didn’t accomplish much. But somehow, in between nibbling bon-bons and sunning my backside, I did manage to read three of the year’s most-talked-about novels. Here are my two cents on 1,336 pages of summer reading. :
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Atonement: A Novel (by Ian McEwan) – This novel is the most literary of the trio – usually not a plus for a simpleton like me. But this book is stunningly good, the kind that lingers long after you’ve turned the final page. It begins in a Gossford Park-like English manor house in 1935 – and ends at a family reunion in 1999. Along the way, one of the characters commits a dastardly crime, another retreats at Dunkirk during World War II, and all contemplate big themes such as crime and punishment and what’s truth and what’s fiction. Warning: The first 80 or so pages move slowly, but the rest of the book is riveting.
Grade: A
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The Emperor of Ocean Park (by Stephen L. Carter) – This novel is the most unabashed potboiler of the three – full of bad guys, red herrings, and cliffhanger chapter endings. It tells the story of Talcott Garland, a law professor whose notorious father, a disgraced judge, dies and leaves behind a trail of secrets. Talcott, of course, must discover the secrets before the bad guys do. But
Emperor goes beyond thrills with its canny take on the African-American upper-middle class, the mores of academic life, and the physics of a crumbling marriage. Despite a few hokey plot points, it’s a smart, compelling read.
Grade: A-
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The Lovely Bones: A Novel (by Alice Sebold) – This novel is the most popular of the three, with sales north of one million copies. It’s easy to see why. Alice Sebold serves up the ideal Oprah Book Club meal: a family in distress with a side order of spirituality. The book explores the aftermath of the rape and murder of a 14-year-old girl in 1973 – as narrated from heaven by the girl herself. In lesser hands, that gambit would have been flopped. But Sebold sustains the trick with incredible skill and aplomb. Indeed, parts of this book are haunting, beautiful, and unputdownable. And it does make you think about what role the dead still play in our lives. That said, one major plot twist at the end Sebold forces readers to suspend a little too much disbelief.
Grade: B+